RRS
Sea, hills, vales and Himalayas. Yes, these signifiers of
nature remind us of the lines of great romantic poems of Wordsworth and
Coleridge. In 'Daffodils', Wordsworth meanders like a cloud:
I wandered lonely as a cloud
That floats on high o'er vales and hills
Bhisma Upreti invokes similar spirit of romanticism in his
'Just As I Am', a collection of his new and selected poems that he composed
relishing the beauty of nature. His heart beats as the waves break on the shore.
He goes ecstatic when the breeze blows high above the hills. The caravan of
mules on the trek of Himalayas impels him to ponder over the fate of the poor
animals. Instantly, the poet's heart melts as he sees a band of porters
following the trails of mules. Written in tranquility and melancholic setting,
the translated poems provide a fresh look into the poetic genius of Bhisma, who
have over a dozen of books on poetry and essay to his credit.
For the poet, sea, hills and Himalaya become the greater sources
of enlightenment. He personifies sea in the following lines. He extols the
splendour of sea in its nudity:
When I went to meet the sea,
I found her stark naked,
Sunbathing
The sea's nudity
Was unexpected but beautiful
Fitting and appealing.
(The Sea - Three)
Here the poet draws an analogy between the sea and human
heart:
I am hurrying along
To meet the sea.
But the sea stopped me and said -
'I have seen a sea inside man,
Have you seen it too?'
I looked into my heart,
(Where I found a sea)
And for the first time I realized
That a sea exists in man -
Sea of salty tears,
Sea of unfathomable sorrow and bitterness
(The Sea - Four)
These lines portray a contrasting picture of modernity and
backwardness. The hill folks erupt into euphoria when a tractor reaches their
village for the first time. This is still a reality of many Nepalese hamlets
tucked away in remote hills. The rustic masses hope that the tractor that
ferries people and goods as well as plough the terraced hillside heralds the
beginning of new civilization in their locality:
First time,
When a tractor reached the hill
The villagers were bursting with joy.
They assembled in the open air
And worshiped the tractor
With a new shoot of hope in the heart.
The villagers for days talked
Of the arrival of new possibility,
A new civilization.
(The Hills - Eight)
Here is another beautiful verse that revolves around the
themes of mountains, hills and rivers. The hills are not happy with the
ungrateful rivers that run away like a selfish lover:
The mountain has lot of snow,
The snow melts
And becomes rivers.
Thus the hills has rivers too
But those ungrateful rivers
Run far, far away
Through dark, narrow dells
And the hill contorts
Every single day
For want of water
(The Hills - Nine)
The poet sees no fundamental differences in the life between
the mules and porters. Their agonies are well depicted in these lines:
A caravan of mules
Just went past this way
Stirring dust as lovely as longings
And now,
A band of weary porters
Is scaling the trail in the same way !
Both have pain
Piles on their shoulders;
Both have had no time for a bath;
Both are hungry and tired too.
Cold has been tickling both;
A foul odour fills the nostrils of both.
(Commonality)
The following short stanza taken from Just As I Am, which is
also the title of the anthology, shows a sharp contrast with the optimistic and
hilarious tone expressed in the previous poems. The dark sky and howling wind
generate a depressing mood. It is further heightened when the clock of time
swings frantically:
There is no light in the sky
The wind is howling.
Oh! there is no view of sun,
Not a fragment of blue sky.
Turbulent the world around
And the clock of time swings frantic
(Just As I Am)
Bhisma's poems open up new poetic avenues. As Dan Disney
mentions in the introduction of the book, the entire text is filled with
'epiphanies and moments of truthfulness'. The poet communicates with the
abstract nature and lends his mellifluous poetic language to innocent folks to
bring forth their pains and sufferings. Simplicity and flow of language have
made the poignant themes ever expressive. The anthology truly carries the
typical national and cultural nuances to the wider readership.
(Courtesy: Friday Supplement, The Rising Nepal, January 30, 2015)
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